By the way, I am a Gulf War I Army Veteran and I am female, so it could be that I may be looking at this differently. I felt like I was walking through the movie with the Marines, from the barracks to the battlefield scenes. That makes it probably the most pacifistic war movie I've ever seen. A two-segment look at the effect of the military mindset and war itself on Vietnam era Marines. The film is harsh and doesn't turn a blind eye to the atrocities of Vietnam. Great touches abound throughout - check out the many examples, such as the opening scene of Hartman marching right up to the recruits and to the camera , spitting and screaming vindictive comments, almost as if at the viewer. Director: Stanley Kubrick Writers: Gustav Hasford novel , Stanley Kubrick screenplay Stars: Matthew Modine, R.
Hartman is the reason for this, but behind this hides another reason; he has to make them tough and solid so that they will work as a team and have each other's backs in combat. . As a young recruit in the Army, we talked about it, and we talked about it further and it is one of those movies that you always find something new to say about. Friends of mine have commented that they only like the first half of the film and that the second half falls apart. This one should be rather funny too but at this time the audience has already seen way too much.
First of all I love Kubrick's work, so I came into this with a bias. I often wonder what went on behind the scenes, especially with a seasoned Marine war vet such as R. Matthew Modine is the amiable lead, Private Joker, and as such balances the hard and soft edges admirably if not spectacularly. It's never just about one-liners from a sergeant, it's also telling a story about how humans work under these conditions. Then you have Hartman excellent portrayal by Gunny Ermy who has the heartless job of making killers out of these young men. Others have commented on the music, the acting, and so on, so I won't add my repetitive comments, except that the drill sergeant is perfect! I don't particularly care because the script makes up for it.
I often wonder how much he contributed to the movie as an actual adviser. The first half follows a group of recruits in boot camp under the command of the punishing Gunnery Sergeant Hartman. The second half shows one of those recruits, Joker, covering the war as a correspondent for Stars and Stripes, focusing on the Tet offensive. Childish and senseless marching songs of the first half were very comical. Although they do contrast and complement one another, the first half is very much the stronger half.
The first half is about how they suffer under their own at home and very well told it is too , the second half about the human condition under the duress of war. Nonton Movie Nonton Film Online Bioskop Online Cinema 21 Subtitle Indonesia berkualitas tinggi tanpa logo yang sangat menganggu mata. I believe Kubrick sets up the first half to be an understandable reflection of the terror that would eventually enter the lives of these soldiers during war. Lee Ermy on the set. There's barely a moment's pause before you're thrown into the screaming face of Sergeant Hartman.
War is never justified, war is never good. The story is told through the eyes of Private Joker Matthew Modine , a cynical aspiring photojournalist who is soon forced to fight for his life and the lives of his fellow recruits. He's hurling abuse at his new recruits with lines so forceful and sharp they'll have you gasping in shock while simultaneously laughing in incredulity. Matthew Modine in the leading role as Private Joker is simply fabulous but I guess most of the sympathies goes to Vincent D'Onofrio's unforgettable Private Pyle. However I have seen a lot of action and war films, and this one, to an individual who never went to war, seems the most true-to-life, taken as a whole. Nonton movie Nonton Film Online Bioskop Online Watch Streaming Download Sub Indo Download subtitle Indonesia Baca panduan Tolong donk diberitahu teman teman, saudara dsb jika anda suka dengan film film di BioskopKeren. This kind of humor no longer amuses and makes you laugh.
Yes, but rarely with such an experienced hand at work. I do wish the movie would have shown that a little, but as far as making you think, I think the movie did what it was suppose to do. And it's the camp scenes that are so wonderful. Therefore I think war movie should never glorify war but rather show it as what it really is: nightmarish hell. The second feels weaker against it.
The second half shows one of those recruits, Joker, covering the war as a correspondent for Stars and Stripes, focusing on the Tet offensive. Kubrick is the true master of atmosphere in film. Actually I'm not sure if this is the greatest war movie ever made. There's a wonderful innocence about him in the beginning, which transforms into a frightening hardening of his soul later on. Generally any movie he directed was several notches, in quality terms, above any other director particularly those working nowdays.
He makes you feel like you are there. Less allegory and more applicability! There's a very good command of pace - the viewer is never left idle or bored, and the story particularly in the tremendous first half flows along smoothly. Once more the main man succeeds. Stanley Kubrick's Full Metal Jacket seems like an uncompleted film, but to me that's poetic justice to one of America's uncompleted wars. He knows this to be true, but no one else does.
When the young sniper is shot is when a part of humanity returns to Joker and we are left to guess at what follows. The sniper scene, which takes place amid bombed-out buildings rather than in the familiar jungles , serves as a microcosm for the Vietnam War--as well as war in general. The other stand out though is Vincent D'Onofrio as Private Gomer Pyle, the recruit picked upon by Hartman and the other cadets. Audience really feels sorry for him because he's the most regrettable victim of the training period that turns perfectly ordinary nice blokes into merciless killers. Once more there's excellent cinematography - check out the haunting, almost claustrophobic landscapes of Vietnam.